Trollfest is now on the red carpet.

For this tenth album, still supported by Napalm Records, Mr. Seidel (guitar), Fabio Grimdrap (guitar), Trollmannen (vocals), Trollbank (drums/bouzouki), Fjernkontrollet (synthesizers/accordion), DrekkaDag (saxophone), Bjørn Dugstad Rønnow (drums/vocals), and Böesse Basshöl Nybazist (bass) donned their finest tuxedos to attend the premiere of Trollywood.

The show kicks off with Attention, the opening track that showcases a blend of light folk touches and an aggressively raw foundation reminiscent of their early days, whether in the frenetic rhythm section or the furious vocal parts, leaving us convinced that the band is back to its catchy, frenzied style. The choruses stick in your head, but Troll Brigade quickly offers an equally virulent and brutal approach, thanks to pagan/black metal influences that clash with more accessible elements, as well as a majestic moment courtesy of the keyboards. However, the band returns to a more joyful tone on Claiming the Walk of Fame, the next track, which remains much more consistent with their latest releases, playing on its cheerfulness. Next up is Bar of Mud, a track with an unsettling intro that ultimately unleashes its darkness while featuring vocalist Mathias (Vanvidd, live for Finntroll) and eerie electronic elements; however, Prügelknabe returns to heavy/thrash influences to deliver a highly welcome old-school touch, all while maintaining its intensity. Day Drinking also unleashes its most heady roots with the participation of Ingvild “Tante Pãthë” Strønen, who helps the eight musicians deliver this drinking anthem before getting back to basics on The Real Breakthrough, where the band invites us to break our necks to their riffs while relying on Chris Hüdini to accompany them on this mission. Back to the living room with ConTroll, which features Petri “Pete” Lindroos (Ensiferum, Norther, Satanic North, Warmen) to add a healthy dose of ferocity to the already violent composition, but the atmosphere shifts completely with Get on the Offbeat, where Sphinx from Ram-Zet brings an Industrial vibe that’s strangely well-suited to the track’s heaviness. Another surge of energy comes with Dreams for Resale, a track that also serves as the missing link between the early and later albums; and even though it’s a bit short, it more than convinces me before we move on to The Troll Oscars, where once again Sphinx accompanies them down the red carpet of violence, just like Ingvild « Tante Pãthë » Strønen, who offer an intriguing and interesting vocal diversity between two waves of fury that bring variety to this finale.

Just when I thought Trollfest had buried themselves in their jokes, these guys blew me away with Trollywood, a perfect balance between their humor and the violence of their early albums, which I’d been missing. I won’t need to be asked twice to go see them again!

90/100

Version Française ?

A few questions to Trollfest’s vocalist Trollmannen about the release of their new album, Trollywood, by Raven.

Hello sir Trollmannen, and first of all thanks a lot for taking the time to talk with me! How do you feel? I hope you remember me.
Trollmannen (vocals): You do look a little bit familiar, yes, but I do have a terrible memory.
Raven: Last year at Hellfest.
Trollmannen: Right, under the press tent by like 45 degrees !
Raven: Right, the interview was quite chaotic.
Trollmannen: Yeah, that sounds like us. I’m feeling pretty good

I know Trollfest is as much as a serious band about music, but also a huge joke when you check the topics. Is the “troll” pun intended at first?
Trollmannen: Sort of, but we do have a tendency to not necessarily plan everything in detail, we have an idea and then we run with it. So I think in the case of Trollfest, it might be a case of or a mixed case where it was partially a little bit of a joke, but then also we’ve decided to try to live up to the name since we got it.
Raven:  It’s like I’m seeing a troll running with scissors on scene while singing.
Trollmannen: Yeah !

As you’re one of the band’s founders, do you remember how you came up with the name Trollfest, and how do you link it to the music you play together?
Trollmannen: As far as I remember we were sitting at our guitar player’s apartment, that’s kind of where it all started and I think we just made the one song called “Drekka Konkurransen!” (which roughly translates to « The Drinking Competition ») which is one of the demos on our 10th-year anniversary disc, A Decade of Drekkadence. We were kind of in need of a name and we wanted it to be some kind of Folk metal, we thought Finntroll was really cool. There’s a Norwegian band called just Troll, so that was already taken and we were basically just throwing out different suggestions for all kinds of stuff, and then at first we ended up calling it The Devil’s Dangleberries.
Raven: I’m afraid to ask why.
Trollmannen: Well it sounded nice and we thought it was funny but then somebody came up with Trollfest we all agreed that that was a better alternative.
Raven: I totally agree. It is a better name than The Devil’s Dangleberries, this name has a cool alliteration, but the actual is better.

And so how do you link it to the music you play together?
Trollmannen: From the very beginning the lyrics have sort of been about trolls and at least in Norwegian folklore the trolls are a little bit different than your D&D trolls or your movie. They are really, really huge and sort of very hairy. There’s this thing in Norwegian folklore where the trolls are part of the underworld or they come from the underworld so they have a strong hatred for Christians. There are actually quite a few folk tales from way back when in Norway where one of the main ingredients in the story is that someone nice and christian is out in the woods, and for some reason they end up having to sleep in the woods, and then they have to flee during the night because the trolls come out and they can smell the christian blood. That’s in combination with the Black Metal being sort of against religion, we thought the two would make a great marriage and then on top of that, we kind of wanted to make some kind of party music. Or we wanted it to be a festive affair.
Raven: I remember the party band you mentioned last year.

Trollfest is about to release its tenth album, named Trollywood. How do you feel about it? How would you sum Trollywood’s identity up in only three words?
Trollmannen: Heavier and… that’s a good question. It’s still experimental and I don’t know… Better.
Raven: OK, I accept 3 words. How do you feel about the album?
Trollmannen: Proud ! It’s not like I’m losing any sort of sleep over it or anything like that but there is always a little bit of trepidation involved with how it will be received. I’m confident and I feel good about the fact that we’ve done our work, we’ve put in the time, we’ve made a result that we’re all happy about and that we all like. I mean that’s not going to change even if everybody comes back and says “this is the worst shit you’ve ever done”. I still feel that we’ve done what we could, but yeah, a little hint of being nervous or excited about how it will be received.
Raven: Well, I’m very happy to hear that. It was really good when I was listening to the album. I was, « What the hell did they invent again? These guys are crazy. » That was my reaction.
Trollmannen: Oh, but then I consider it to be mission accomplished.

It actually took four years for Trollywood to come to life, are there any changes you noticed in the composition process? What made you decide to go back to your roots and create something heavy and violent while still having a look at the entertainment industry?
Trollmannen: No, not really. We’ve more or less done what we usually do, like, as a process and all of that. But on the other hand we have a new bass player with us now, compared to the Flamingo album, so there was a little bit of a change there with a new person coming in with new skills and other types of ideas, I guess you could say. But the creative process has been more or less the same as it’s always been. I think actually, part of the reason why it took 4 years this time, is that 2 of those years were, or at least, well, one of those years where we were still dealing with the pandemic and as such we didn’t start touring with Flamingo Overlord until it had been out for 2 years almost when we went on the first tour in support of the album.
Raven: About the time flies, what made you decide to go back to your roots? Like, go back to the brutal roots of Kaptein Kaos and create something heavy and violent. While still having a look at the entertainment industry.
Trollmannen: Well, like you said earlier, this is our 10th album, which still feels a little bit weird to think about and say partly because it was the 10th album, the starting point for the album was to try and sort of make a combination of all the 9 albums we’ve released before it. Trying to have some elements and some references from the first albums as well as from the last albums and sort of try to make it a little bit almost like a collection of, or a summary of what we’ve done so far.
Raven: OK, it’s like an anniversary album of what you are capable of.
Trollmannen: And in a way it’s all brand new material. We haven’t done versions of old songs or referenced old riffs or anything like that. It’s entirely new. Musically, it’s an entirely new album from us, but we kind of wanted to summarize the essence of the nine previous albums, so like you said, have some of the brutality from the earlier days combine it with the sort of more experimental, hopefully catchy stuff of the later years, and then obviously also, it’s been more than 20 years since we’ve started. So everybody’s grown musically, everybody’s gotten better at what they do. That’s another thing we kind of wanted to showcase with the album.

What motivated you to talk about the entertainment industry for this new album? What were your influences for the music, lyrics, and stuff?
Trollmannen: I think actually there’s a little bit of a twofold here because we’ve had an idea lying around where we kind of wanted to do something Hollywood related because we had this idea that it could be cool to dress up as different Hollywood movies on stage. Like I have one guy dressed up like the Terminator, another guy like Lord of the Rings, someone like Iron Man, but then we were sort of starting to think that with the copyright laws and all of that stuff, in particular, Disney would probably not appreciate anything like that. So then the whole thing ended up on ice and saved for maybe a one-off gig at some point. But in that process, we also came up with the title Trollywood which we thought was a really cool album title and then when we were starting to try to hash out the concept for this album, it took a little bit of time to find something that everybody felt was cool and nice. We ended up digging out the Trollywood title and then kept that idea, but did something else costume wise. As is often the case with our stuff once the title was decided the lyrical concept kind of gave itself away in a sense, where if it’s going to be Trollywood, then it should be a trollish version of Hollywood, and like with most of our albums I do tend to write the lyrics as if a trollish take on reality. That became the starting point. As I was doing a little bit of research on the history of Hollywood and stories from Hollywood and all of that stuff, it became very apparent that 90% of Hollywood is the entertainment industry. It’s at least for the Western world,it’s the mecca of entertainment. That’s where most of the really, really big. artists and movies come from, to the point where if you’re a big artist or a big movie star or a big director or a big composer for movie music or something, it doesn’t really matter where you’re from. If you end up on the top level of the entertainment hierarchy, you’re going to relocate to Hollywood.
Raven: Yeah, I understand perfectly. But as a French, I need to protest a bit about that because we have a huge cinema industry.
(Raven’s note: Nollywood is the nickname for the Nigerian film industry, which stands as the second-largest film producer in the world by volume. It releases approximately 2,500 movies annually, trailing only India’s Bollywood in total output and producing more films per year than Hollywood)
Trollmannen:True. And you know, there’s also Bollywood and Nollywood and there’s a reason it’s called Bollywood and Nollywood. I read somewhere that Bollywood has much higher output than Hollywood. Nollywood is becoming quite the big deal. So fair points to, to anyone who wants to discuss that Hollywood is a fading star.
Raven: Are there other titles of each one of any specific influence or it’s just related to the process of composition?
Trollmannen: The titles and the lyrics are, at least on the surface level, a story about some trolls who traveled to Hollywood to make it big, and then we experience Trollywood through their eyes and experiences. But then some of the songs aren’t necessarily or directly about stuff happening to the trolls, but more what they experience or what they see, and I suppose some of the songs are just commentaries on the entertainment industry. I’ve always been a little bit fascinated by the whole clash between art and capitalism or culture and capitalism. That’s a long debate. I don’t think you can find a more shining example of this, well, you probably can in both Nollywood and Bollywood and probably Paris too. I feel maybe Hollywood is a very glaring example of art meets capitalism, where you will have some directors in some movie come out on a regular basis, and nobody can deny that they’re works of art but then Hollywood with all the capitalism comes in, and then they release 10 more movies that are basically just regurgitated copies of the original piece of art and as such, it becomes a very good example of how art is a little bit of a fickle thing, because you would think if you make some art, and then you just repeat that art over and over and over again, it would remain art. 

Do you have a personal favorite song on Trollywood ? Whether it is about the music itself or the lyrics.
Trollmannen: Oh, that’s a good question. I think probably my favorite song from the album, well, the first one that springs to mind at least is a Bar of Mud.
Raven: Oh, why?
Trollmannen: Lyrically I felt there are some really, really good phrasings there or some sentences that I’m very, very happy about or some metaphorical images I was very happy to have made. Musically, I am quite partial to the heavier side of music, I do enjoy a fair bit of stoner metal and doom metal to a certain extent, at least. From time to time we’ll do that in Trollfest, but most of the time Trollfest is quite uptempo, and intense in that way. I thought it was a lot of fun to really dig into the heavier side of things.
Raven:  To be honest, yes, it’s a really tough question because even myself, I’m not sure of which one. Maybe it’s Claiming the Walk of Fame, but I’m not sure.
Trollmannen: That’s a good one too, it’s really hard to have already one song here that I prefer. I don’t know. They are all good.

There are a lot of guests on Trollywood, and some of them were all part of the last Heidenfest tour you did, so how did you include them on the songs? What about those who were not on this tour?
Trollmannen: The music industry is a small place. In lack of a better word, like there’s a lot of incestuous behavior where you’ll have one person being a part of five bands. For instance, we have SfinX or Miriam as her name is, she’s the lady singing most of the lady parts on the album. She helped us with some choir bits and a song on Norwegian Fairy Tales. She was part of the choir in Heluva. She’s the singer in a band called Ram-Zet, where our synthesizer guy is also their synthesizer guy. She used to be in a band with our drummer back in the day called Viper Solfa. When we needed a female singer for two of the tracks she was the obvious choice both because she’s a really talented singer and because we know her. Similarly, we had Sareeta or Ingvild, which is her name. She did some violin for a couple of the songs and also participated on almost every Trollfest album. She’s done the violins for one or two songs. She’s been on at least one tour, and god knows how many festivals during the years, she’s part of the extended family. We had a guy called Mathias, who is the singer from the band Vanvidd. During the Heidenfest tour we did earlier this year, the singer from Finntroll couldn’t do it, so he stepped in for Finntroll. We all already knew him through Vanvidd, he has a really cool voice, so he’s participating on one of the songs. And then, Petri from Ensiferum is singing on one of the songs as well. Again, it’s one of those cases where you sit down and basically the song is finished, and then you start going over it again and again and again and again to see if there’s anything you can do to lift it a little bit or make it a little bit cooler in some way. Petri has a really, really cool voice and we wanted to have him so we asked him and he said yes. « Fuck yeah, he, he’s going to be part of the album, so, you know, let’s find, find him a part that would suit him well. » All of the guys in Ensiferum are really nice people. We’ve done 3 tours with them so far. We really enjoy hanging out with those guys.

Do you think you improved yourself as a vocalist, and also a humorist, with this new record?
Trollmannen: Yes, but I think I’ve made more progress as a humorist and a lyricist than as a vocalist.
Raven: It’s OK. All of them are good.
Trollmannen: Yeah, yeah. Well, you know, I’ve said it quite a few times, if you do something for 20 years, and you’re not getting better at it, you should probably reevaluate some stuff.
Raven: Fake it till you make it. That seems to be working for some people too.
Trollmannen: I would think even if you fake it, and then you make it, if you then keep doing it, you should get better at either at faking it or at actually doing it.
Raven: I’m guilty. I’m aging and slowly my humor gets worse, so…
Trollmannen: Well, true, the body decays as we age, for sure, we can’t really get away from that part. But yeah, we make up for it with an ever sharpening mind.

Let’s talk about live shows now, how do you live a Trollfest show? I saw you at Hellfest last year, what’s your opinion on the show and the whole day now?
Trollmannen: We still rehearse like once a week. Obviously, if there’s nothing on the poster for a long time, we might take a break for a week or a month or whatever but as a general rule, we try to play together. on a weekly basis. For anybody who wants to be a musician, if you want to sound good live that is the best way to do it. You can learn a lot just sitting at home and jamming along to CDs, but that’s not going to be the same as playing together with someone else. When it comes to performing live, a lot of people are very focused on what they’re doing. If you’re the guitar player, you’re focused on what the guitar is doing and the guitar should be tight, the tone should be nice, “I want fresh strings and blah blah blah blah blah”. Similarly, if you’re a drummer, you sort of want to be tight with yourself and you want to hit the drums in the right way, so it makes a good sound and all of that stuff. That shit’s important. And the best way to get to that point is to actually practice playing it together. If we’re lucky, we have 50 shows in one year. A lot of our friends from other bands have maybe 200 to 300 shows a year. And if that’s the case then your rehearsals are your concerts.
Raven: What if I want to attend one of your rehearsals?
Trollmannen: Well, it’s not quite as much fun as a show, to be honest, you know, we’re all in our pajamas with our glasses on and pipes and a little candle and everybody’s like “hm, yes, that was a good B part, but maybe we should, let’s run that bit one more time, shall we guys? Sure, yeah, OK, and a 1 and 2 and 3 and 4”.
Raven: You sound really good, your english accent, like an English gentleman right now.
Trollmannen: I used to live in Liverpool for 3 years, so. I have been affected by British culture.
Raven: Going back on the show. I will ask you to project yourself one year ago because I saw you at Hellfest last year, and what’s your opinion on the show and the whole day now? Do you remember Hellfest?
Trollmannen: Oh, my main memory is that it was fucking hot. It was stupidly hot, at least for a Norwegian.
Raven: Don’t worry for us French too.
Trollmannen: It was incredibly hot. But I do remember having a lot of fun, every time we’ve played Hellfest, and to be fair, every time we’ve come to France, we’ve had a really good time. And the French crowds have always been treating us very, very nicely. There’s a lot of people obviously enjoying themselves, which is one of the best things to see from the stage, in my opinion. The Hellfest festival is probably one of my favorite festivals out there. The location is really cool, backstage area is nice, the festival area is even nicer, usually the lineup is outstanding, the food is usually very good too., the beer is really nice and cold. My main memory from every time we’ve been to Hellfest is having a lot of fun, being really, really joyous. And I was not aware of the manhole covers. They’ve been making metal plates every year, I think. And I met two random guys when I was watching one of the concerts, and we started talking together, and they didn’t know Trollfest at all. To be fair, we’re a small niche band, so no offense taken, when I told them that I was there because I played, they were like, no, and they didn’t believe me, and they asked “what’s the name of your band?”. So I told them that it’s Trollfest, and this is my third time here. And then they were like “Aha, we’re going to bust you”. Then they brought me to the metal plates, and then which year, which year did you play? And I was “Oh, well, the first time was I think  2017 and 2019”. So we went to that plate, and then I was able to point out the Trollfest name on the plate and go, « See, there it is. » And a really, a really nice memory.
Raven: I hope to see you next year at Hellfest because next year, there will be 300 bands.
Trollmannen: That sounds like a lot.
Raven: With 4 more stages, yes.
Trollmannen: I’m very glad I’m not responsible for the logistics.

Are there any new touring plans for Trollfest after the album release? Or any new plans in general?
Trollmannen: Well we do have. The only thing that’s set in stone so far is a couple of festivals in the summer, I think it’s the Metalfest Festival in Czech Republic and there’s a Spanish festival that I don’t think we’ve ever been to before, that will be interesting. And then we’re trying to go on a tour but we haven’t quite nailed where and when yet. We have one concert in Norway in January.
Raven: I hope to see you at least on stage.
Trollmannen: I hope so too. I’m pretty sure we’ll stop by France at one point.

Did you already begin to work on a new setlist for next shows? Like adding new songs, old ones which will disappear…
Trollmannen: I’m both yes and no. This past weekend we played a festival in Italy where we included both Day Drinking and we did an early premiere of Claiming the Walk of Fame. I’m pretty sure those two will probably become regular participants in the new setlists. Usually you have to adapt the setlist to whatever festival or show you’re doing. For the festival we did in Italy, we had about 1.5 hours to play which meant that we had time to do Claiming the Walk of Fame, even though it hasn’t been released yet. We also had time to do some of the songs from the 1st and 2nd album. A month before this, we played the Summer Breeze in Germany and I think we only had 45 minutes, you have to make some priorities depending on how long you can actually play. There’s no way to get around the fact that when you go out touring to promote a new album, you know, the thing you want to sell is the new album. I’m far from the biggest Iron Maiden fan in the world but I really, really love what they’ve done with their live shows lately, where they’ll go on one tour and focus mainly on the new album and only do like the very, very bare essentials of the hits. But then they’ll do the same tour the year after, and then it’s all about the greatest hits and the old songs and the popular songs. I think that’s a really cool way to do it because as a fan of all the bands I’m a fan of, when I go to concerts, there are shitloads of stuff that I would love to hear live that they don’t play usually either because it’s too obscure or because it’s too old or most cases, both. As a musician I kind of understand. For the songs from the first album, we’ve played those songs quite a few times by now. We’ve been through them, up and down and from this side to that side, and we’ve played some of those songs a lot. Every time you release a new album and you get to perform the new songs, there’s a joy in performing new songs that kind of slowly disappears the more you play the song, the less surprising it’s gonna be, or the less interesting it’s gonna be, because at some point you’ve done all the versions of it. 

Have you ever heard of the French Metal scene? Are there any bands you know and like?
Trollmannen: For sure ! When it comes to Experimental Metal, the French scene is probably one of the most interesting scenes these days. You have Igorrr, I think I’ve been to 4 or 5 of their shows so far. That’s my favorite band of the last few years. I also really like some experimental stuff. There’s also another cool one I like called Pryapisme, they’re quite cool. And there’s another one named Öxxö Xööx.
Raven:  I saw them in Paris.
Trollmannen: I really enjoyed their stuff as well. What else is there? I know one of our guitar players is a huge fan of Gorod, which is also French. And obviously, I mean, fucking undeniable, Gojira is also a magnificent band. I think the first time I saw them was in 2005 or something at a Danish festival, they’d just released the From Mars to Sirius album, and, I heard one of their songs on, this is how old I am. I bought a metal magazine called Rock Sound, and it was an awesome metal magazine, usually there would be like a sampler CD that came with the magazine, and there would be like one song for 20 different bands on the CD, and I remember buying that magazine, and I think I found one of the Gojira songs was on that, and me and a friend listened to it, and we were just like, holy fuck, this is awesome. So we ran back down to the CD store and bought the Mars to Sirius CD, and I’ve been a major fan since then.
Raven: Don’t worry, you are not forced to list every French band you know.
Trollmannen: No, that will be a long list, potentially a very long one, yeah. I’m just trying to see if there are any more that sort of jump out to me, but I’ll probably think of a lot when I go to bed tonight.

Back in 2014, you were compared to French singer Carlos because of the flower shirt, and you even did a cover of the song Papayou. Would you consider doing a cover for every famous singer of every country you’re touring?
Trollmannen: That would be a really cool thing, and I’m not 100% sure if they’ve done it all the time, but I know something about Metallica. I’m not a big fan of Metallica, but our other guitar player is a huge Metallica fan and he was saying that the thing they’ve done for their last tour, where every city they play they find a band from that city and then play the biggest song from that band in that town. I would love to do that, but I think in order to do that, you have to be a headliner like Metallica, so you can get to the town and you can get into rehearsal space early in the morning, then you can hash out that song that day, and then perform it in the night, and then do the same thing the next morning. Whereas we’re not quite as well off as Metallica. Usually when we go touring, we spend a lot of time carrying our equipment in and out of places.
Raven: I was thinking it was drinking beer. I’m disappointed.
Trollmannen: Well, usually you carry with one hand and you drink with the other.

As Trollfest’s new album Trollywood is about cinema and entertainment, please create a show, whether it’s a movie or a show! Let’s have a scenario, guests and stuff!
Trollmannen: Well, I used to have an idea when I was younger, and we were still playing Warhammer roleplay, me and some friends, and I remember after a particularly brutal evening of playing, I wanted to make a comedy where the whole sort of comedic element is that you get the main, like, you know, usually in films, they introduce the main character in a particular way, so you realize that the main character is the main character right away. Usually like when you sit down to see a film you’ll realize who the main character is within the first 5 minutes, just with how it’s being filmed, you know. And my whole idea was to make a comedy where you have to introduce a new main character every 5 minutes because the main character gets introduced and then dies. Game of Thrones stole my idea of, you know, killing off the main character all the time.
Raven: So coming back to the scenario part, your idea is to kill the main character and the main character after that main character and so on.
Trollmannen: The idea was the main character gets killed off all the time, and then at the end of the film, it turns out that some guy that hasn’t been introduced yet actually solves everything and, or resolves the conflict, it would be funny to do something.
Raven: What about bringing music bands to the movie?
Trollmannen: Oh, That uh that could be cool too. Most of the musicians would probably be somewhat decent actors. If we’re bringing along bands, then I would probably prefer to bring. A lot of the bands that we’ve toured with just because we know those guys, so we would have a lot of fun with them. Korpiklaani guys could be fun to have along, Ensiferum guys, Finntroll guys. Vanvidd. There’s always the temptation to bring some of your favorite bands in, but there’s also a lot of truth to the whole “don’t meet your heroes”. I’ve been in that situation like once or twice where I had the chance to go say hi to a band that I’ve been a major fan of my entire life. And I did it at one point and as time went on after that meeting, I found it more and more cringeworthy because I became a little schoolgirl. Then it becomes hard to enjoy their music and you sort of end up wishing that you’d never talked to them so that at least you could still enjoy what they’re doing. And then there’s also other times you know, you’ve created this god-like image in your head, then you meet them and you realize that they’re just, just normal douchebags like the rest of us.

I have a VIQ, a very important question : does Mr Seidel still have glitter in his underwear ? And if the trolls of Trollywood actually got their Walk of Fame star, what would the plaque say?
Trollmannen: I wouldn’t be surprised if he does. You remember this part of the interview. I was just gonna say it and I’m sure I said so the last time too, that you know, glitter creeps in everywhere, and I used to work in a kindergarten, so I was well aware of the dangers of glitter, even before we started using it for Trollfest, but yeah, it was definitely learned the hard way. There were a couple of years where my beard was sparkly.
Raven: Nice. And the second part of the question, what if the trolls of Trollywood actually got the Walk of Fame star? What would the plaques say?
Trollmannen: I think the plaque would probably say, « Here lies the dignity of, » and then the name of the troll.

That was the last question for me, so thank you very much for your time and your music, last words are yours!
Trollmannen: Keep cool, stay in school! Thank you for helping us promote the new album
Raven: Hey, I wouldn’t have missed to talk to you again.