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Continue reading « Gallery: Cân Bardd – Backstage By The Mills – Paris »

Whether my wanderings sometimes are truly a journey of deception, it’s absolutely not what I felt when I discovered Eneferens’ new album.
Continue reading « Review 144 : Eneferens – The Bleakness of Our Constant – English »

Si parfois mes errances musicales me font aller de déception en déception, c’est loin d’être le cas avec la découverte du nouvel album d’Eneferens.
Continue reading « Review 144 : Eneferens – The Bleakness of Our Constant »

While we already had a controversial record in 2016, Urfaust created a surprise by unveiling their new album release… the eve. This is how The Constellatory Practice falls upon us, as a meteor.
Continue reading « Review 125 : Urfaust – The Constellatory Practice – English »

Alors que l’on avait déjà eu un album plutôt controversé en 2016, Urfaust crée la surprise en ne nous révélant la sortie de son nouvel album… la veille. C’est ainsi que The Constellatory Practice nous tombe dessus, tel une météorite
Continue reading « Review 125 : Urfaust – The Constellatory Practice »

Do you ever feel the famous « fear of the dark », or did you wake up with a sleep paralysis ? It’s obviously something I hope for no one, but it’s an interesting human experience. Another way to experiment those feelings is to listen to Akhlys‘ music. The Dreaming I is the oppressive last album of the american pair composed of Ain (drums) and Kyle Spawnswick (AKA Naas Alcameth, voice, keyboards, bass and guitars).
Continue reading « Review 042 : Akhlys – The Dreaming I – English »